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Zubin Mehta

List Price: £15.99
Our Price: £5.71
Rated: Exempt
Artist: Zubin Mehta, Vpo

Average rating of 5/5 What a way to start a new year!, 2007-07-06
Into the ornately decorated oblong concert hall, said to have the best acoustics in the world, 2000 well-dressed patrons crowded on New Year's Day 2007 to enjoy the annual New Year Vienna Philharmonic Concert - the conductor Zubin Mehta. As usual the event was telecast throughout the world. Also on hand were a team of DGG camera and recording personnel, and the result is this splendid DVD.

On the program are 5 items apiece by brothers Johann and Josef Strauss, 4 by their father, 1 by their brother Eduard, and 2 by Josef Hellmesberger. Of the Johann items I especially welcome the waltz "Wo die Zitronen bluhn", apparently a favorite also of Zubin Mehta. "I love this piece," he said, "and I've never done it before with the `Wiener'." 2 of the Josef Strauss waltzes included, with their dramatic introductions, have long been favorites with conductors, as has Johann's best overture - "Waldmeister" Overture.

Mehta's way with waltzes is to hold back the pulse ("rattenuto" in Italian) each time the opening refrain occurs. With all items, also, he tends to cut off the final chord a split second early.

At least one item provides some enjoyable badinage between conductor and players. Mehta conducts throughout without scores. The DVD provides, as an extra, members of the Vienna State Opera and Volksoper Ballet in ballet versions of two of the waltzes. Another extra features various Austrian brass ensembles performing in beautiful Austrian park and mountain settings. One ensemble performs on a raft floating down the Danube.

List Price: £15.99
Our Price: £6.47
Artist: London Philharmonic Orchestra, Chicago Symphony Orchestra

Average rating of 5/5 **An Exquisite Album**, 2004-02-18
Simply The Best Classical Anthems

Simply The Best Classical Anthems is a compilation album of ‘36 of the most powerful Anthems on Earth’. But, it is also said to be something else. It is said to be a gateway. A gateway to another world. A world where our imagination can run free without being shackled down by any borders or boundaries or rules or limits. A world that we have all seen or perhaps more accurately have all heard of but for many of us a world that we have never dared to enter. Never dared to enter because of fear. The fear of being ostracised and shunned by our community.

THE MYTH
‘Classical Music!’, I can hear some of you cry. ‘That isn’t another world. That’s just music for the upperclass, the high-brow, and the pompous.’ Surprisingly, I too felt this way for a long time until I accepted the invitation made to me by Simply The Best Classical Anthems. I always felt that Classical Music was nice to listen to as background music for a Levis ad or a Car ad but I would consider people strange if they chose to hear it on its own. However, after having listened to this album I realised how wrong I was in my assumptions.

THE TRUTH
Music as with all forms of amusement helps to take you away from where you are now. It helps to relax you when you are stressed with anger; it helps to give you strength when you are vulnerable; it helps to keep your spirits up when you have faced tragedy or loss. It helps. And, for me the type of music that best conjures up the most passionate emotions (love, hate, courage and anger) at our most testing times is Classical Music.
How? I don’t know.
Why? I don’t know.
I can only promise you that in my experience it does.

THE CHEST
The album, in visual terms, is very difficult to overlook amongst the plethora of records that may surround it. This is because the album has a very distinct purple sleeve cover. Not any kind of purple mind you but the Cadbury’s kind of purple. The kind of purple that carries with it an invitation. An invitation that if accepted promises you a treasure inside.
And since, I have always enjoyed the treasure within the purple Cadbury’s Dairy Milk wrapper, I asked myself why would an album carrying the same invitation promise to be anything different? Thus, I parted with my tuppence worth and went back home to open this purple chest of promised treasures.

THE PROMISED TREASURE
As you may have guessed, the contents of the album are somewhat different to the contents of a Cadbury’s bar. When I opened the album, I was presented with two compact discs. At first glance, there did not seem to be anything special about them. They were just your average, everyday, run of the mill compact discs. To tell you the truth, I was a bit disappointed because I suppose I had hoped for something more.
However, looks can be deceptive. (Afterall, a Cadbury’s Dairy Milk does not seem very appetising until you taste it!) And, also come November each year, I am always bemused and surprised at how the shabby contents of a cardboard box can both light up the sky and light up the faces of the neighbourhood. Thus, I pushed aside my assumptions and I ignited the discs (not literally of course, I just pressed the play button on the CD player). And, I let the fireworks begin.

THE KEY
From the very beginning, you will feel like you have unlocked the doorway to something special. And, after a full two hours of listening to both discs, you will feel like you have been taken out of this world and transported to another. Welcome to the world of Classical Music.

GUIDANCE
In the beginning, continue to listen to both discs in one go (i.e. one after the other). After a while, you will know which tracks you enjoy listening to the most. For those tracks you enjoyed the most make a promise to yourself that you will listen to the whole of the piece from which that track came from.
Good Luck on your quest if you choose to accept it.
Ride amongst the Valkyries, listen to the Flight of the Bumblebees, and use The Planets to keep you on the path.

I am not a good reviewer because as with all of my reviews I refuse to comment too much about what is inside the product but rather more about what effect the product has had on me. (Me, me, me. Vain & Egotistic, I know, so my friends and family keep telling me). But, I just want to cause a raucous about the product, enough not to spoil but enough of a raucous to let you experience it for yourself.

So my final words are:
Simply The Best Classical Anthems is an invitation. An invitation to the world of classical music. A world where you can begin a never-ending quest of curiosity. A curiosity that will always be rewarded with fulfilment.

Do you accept such an invitation?

Hope you found this review helpful.

List Price: £14.99
Our Price: £8.47
Artist: Anne Sofie Von Otter

Just listing the composers featured on The Art of Anne Sofie von Otter here would take up the allotted space. Suffice to say that from Handel, Mozart and Bach through to Berlioz, Korngold and Elvis Costello, this ravishing compilation sums up what we have long known--that von Otter effortlessly embraces so many styles of music with consummate artistry, character and technique. What more can you say? She is as at home with early music ensembles such as The English Concert and Les Musiciens du Louvre as with the Berlin Philharmonic in Mahler or Offenbach with the Dresden State Orchestra.

Churlish reservations relate only to the overall choice of repertoire--perhaps at the expense of a little less Mozart and Handel, still more space devoted to an uninterrupted sequence of songs with piano would be welcomed, an area where many find von Otter's gifts at their most compelling. The magical 1996 Swedish song album isn't represented at all, but then again a quick flip through the von Otter discography leaves one wishing so much else was included here. That would be totally impractical, of course, after all, who could buy this and not want then to explore her discography in detail?...
Average rating of 5/5 Splendid introduction, 2002-10-31
As Amazon's own reviwer says in praise (or warning?), this is an excellent introduction to Otter's work, and likely to cause your credit card to burn a hole in your wallet as you order more and more of her discs. An incredible vocal genius is at work here. For those who are wary of classical music for voice (operaphobia, perhaps) this is proof that there is much intoxicating music to be discovered. And for those who already love Ms Otter's work, her intriguing album with twisted pop philosopher Elvis Costello might begin them on a new road into intelligent pop music.

List Price: £4.99
Our Price: £2.97
Artist: London Philharmonic Orchestra

Average rating of 5/5 Another excellent "Carmina Burana" - at a bargain price, 2009-07-16
Dare I suggest that given a good conductor, an enthusiastic, well-trained choir and a competent orchestra, this piece is not that hard to pull off on disc? I mean no disrespect to the music or the performers by saying so, but I own three equally good recordings and know of half a dozen more which give similar pleasure. Either that, or it has been very lucky on disc; either way, this is another fine addition to the discography. The sound is clean and vivid, Mehta paces everything beautifully and the soloists are first rate - especially Sumi Jo (although her sustained lower notes are not as secure as other sopranos' - it's in the stratosphere that she excels). Bo Skhovus is in the same mould as Håken Hakegård: a virile, incisive bariton-martin with an extended upper range, although I think the older artist still has the edge in the Mata recording. I like Kowalski's alto version of the roasted swan-song, although for real vocal thrills I commend John Aler's full-voice account (again on the Mata disc): an extraordinary feat, as it never sounds strained, just pained! A third way of doing this "aria" is Gerhard Unger's method on the famous de Burgos recording: he slips into falsetto when required. I like all three ways of doing it, but admire and enjoy Aler most of all. De Burgos also employs two different baritones: one for the more robust, declamatory bits and another for the laments with the higher tessitura; that works two, especially with two such good singers as John Noble and Raymond Wolansky. That recording also has the lovely Lucia Popp, whose sustained breath is a thing of beauty, but Barabara Hendricks and Sumi Jo are equally impressive in their different ways. The best choir of all is De Burgos' New Philharmonia Chorus but there is a fair amount of tape hiss in the pre-digital 1966 recording and all three choirs on all three discs are committed and exciting. I am going round in circles here: what I am saying is that you could be happy with any of the three I mention (Mata, de Burgos or Mehta), though I would, if pushed, opt for the Mata as my favourite. A welcome libretto is provided, despite this being a budget edition - which is more than any other bargain version I know, so I won't moan about the few misprints in the Latin...

List Price: £10.99
Our Price: £4.94

Average rating of 5/5 Love it!!, 2009-02-23
I'm no classical buff but this CD is sublime!! I especially like The Danse Macabre just for the name of it!
You'll recognise lots of tunes from Charlie Chaplin films, and the whole CD hasn't got one duff track on it!!

List Price: £22.99
Our Price: £14.10

Average rating of 5/5 Terrific!, 2009-05-21
Whether you respond to Puccini's tale of cruelty is one thing. The fact that this recording is terrific is quite beyond doubt. This must be one of Sutherland's best performances in the title role, with Pavarotti being, well, Pavarotti - incomperable. Caballe is luxury casting as Lui and Mehta conducts with penache. The best modern recording.

List Price: £9.99
Our Price: £5.33

This disc is a live recording of one of the most popular concerts ever given, the Three Tenors Concert of 1990. It achieved huge listening and viewing figures when it was broadcast on radio and television throughout the world, and the disc has sold more than 10 million copies. It is not hard to see why- -these really are three of the greatest tenor voices in the world, and the joyous surprise of hearing them all together, and the simple, infectious fun of the event crackles (metaphorically!) on every track. Part of the fun, of course, lies in comparing the voices--the darkness of Domingo's more baritonal range with Pavarotti's silvery polish--and how each one of them can take a familiar aria or song and breathe new life into it. Considering this is a live recording, the standard of reproduction is surprisingly high--but then the point of this disc is not to achieve studio-quality recording, but to recapture the spirit of a great event. --Warwick Thompson
Average rating of 5/5 Carreras, Domingo, Pavarotti in Concert, 2010-02-07
As always with these Tenors the singing is top-class. I've said it before and I will say it again, to have Voices like this is a GIFT FROM GOD. It was a great loss to the world when Pavarotti died. I highly reccommend this c.d.

List Price: £15.99
Our Price: £3.66

It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars and to have fun listening as Luciano Pavarotti, Plácido Domingo and José Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience. Much of the fun and flavour of the concert is dependent on seeing the action, though, and without the visuals you notice flaws in the singing much more. Domingo comes off as the more solid performer and his voice is in far better shape than the other two. But if you crave big, high and loud--and you don't take your opera too seriously--you'll love this disc. --David Vernier
Average rating of 5/5 Better as it Progresses, 2002-11-30
Wonderful concert. The songs and singing arrangements just get better and better as the concert goes along.
The concert was attended by such well-known people as Ex Pres Bush, Bob Hope, Frank Sinatra, Arnold Schna....,Gene Kelly.
Concert was in LA and a lot of "american" favorites (such a musical from movies) were selected, some to honor the crowd such as "Singing in the Rain" and "My Way".
Received 3 curtain calls. Pavarotti's Ava Maria inspired the crowd to stand up cheer. Same for his Nessun Dorma!
Orchestra LA Philharmonic also was featured playing some pieces with just the orchestra.
Excellent, wonderful music.

List Price: £16.99
Our Price: £6.18
Artist: José Carreras, Plácido Domingo, Luciano Pavarotti, James Levine, Zubin Mehta

Back in 1990, three of the world's most celebrated tenors, namely José Carreras, Plácido Domingo and Luciano Pavarotii, combined forces to create the Three Tenors, now celebrated on a "best of" CD. They gave their first concert in Rome; that event was recorded and went on to become one of the best-selling classical titles of all time.

This latest release brings together tracks from that night in Rome (including "Nessun dorma" and a competitive rendition of "O sole mio") with music performed in a 1994 concert in Los Angeles as well as at the 1998 event in Paris where the Three Tenors sang to an audience of thousands with the Eiffel Tower as their spectacular backdrop.

The 22 tracks which comprise The Best of the Three Tenors range from operatic standards, such as the joyful "Brindisi" from La traviata to popular songs including "Singin' in the rain" via songs from the shows ("You'll Never Walk Alone" from Carousel). There are no solos on this disc--each piece is performed by all three singers. And with plenty of applause and cheering to be heard, not to mention the sense of fun in the singers' voices, the disc truly captures the atmosphere of these extra...
Average rating of 5/5 The Best of the Three Tenors, 2003-12-08
I am not really a classical music buff, but with my father in law being one its an obvious choice for presents. knowing that he likes the 3 tenors is a big help seeing as i do not really know much at all about classical music apart form the odd few bits world cup and films. I bought this disc for his birthday not really relishing the thought of hearing it, however I was pleasently supprised indeed. This was very easy on the ears indeed and shock horror on the whole i enjoyed cd there was the odd one i was not that overly keen on not to sure which one it was called i think it was track 4 Sous le ciel de Paris. By comparrison you'll never walk alone i thought was very enjoyable along with nessumdora the world cup anthum from a few years back now. Untill listening to this cd i thought this to be a bit highbrow and deffinatelly not my cup off tea at all even for my (heinz 57) taste trance,rock,reggea,tamla garage etc my 19 month old daughter was bopping along to it even my wife thought it was good. What was more worrying still i purchased a copy myself to add to my collection looks a bit odd being just below deaf leppard. If you are into classical music or not this is well worth adding to your collection and hey you might find you like it and play it a lot more than you thought you would, I certainly did! if you do not its a good present for someone who does. The cover looks good to

List Price: £29.99
Our Price: £7.74

Average rating of 5/5 Chopin Piano Concertos, Lang Lang, 2009-09-30
I bought this CD after seeing Lang Lang perform Chopin's 2nd Piano Concerto at this years Promenade Concerts. I was so moved by his light romantic interpretation, and both concertos on this CD are a delight.