Artist: Snow Patrol

The Snow Patrol we meet on A Hundred Million Suns is a band facing the same dilemma that Coldplay met on 2008's Viva la Vida or Death and All His Friends; having conquered the world with a rousing, melancholy brand of MOR indie, where now? On the surface, A Hundred Million Suns seems to suggest, nowhere especially new: producer Jacknife Lee, who first worked with the band on 2003's Final Straw and went on to work with the likes of U2 and REM returns to the fold; and an opening brace of songs suggest that a successful formula--chiming guitars, gentle builds, and Gary Lightbody's quavering, tremulous vocal--persists. Still, "Take Back The City", a windswept, electronic-tinged rocker, rather does for this band what "Dakota" did for Stereophonics, proving that a spot of sleek, synthetic motorik is not beyond their grasp, and there's a new, bright optimism to Lightbody's lyrics that sets the likes of "The Planets Bend Between Us" in light relief to some of Snow Patrol's earlier work. If you want experiment, though, you'll have to wait until the closing "The Lightning Strike", a 16-minute track in three parts that investigates Phillip Glass-style minimalism an...
10/10 to Amazon, 2008-12-07
The review say it all; a really great Album. However, what I would like to say is well done Amazon. I for one hate the pretentious rubbish written about Apple and in particular their hateful I-Tunes. I don't have an iPOD although respect their design. I have a Zen which I love and now my wife and both the kids have one too. Amazon have opened up the market and with these £3.00 downloads, only those with anal retention are still going to regularly illegally download. At last someone has realised that charging £8-£10 for a download is taking the rip. If you keep the downloads down to a reasonable price then we will pay. Don't let us down Amazon!

Artist: Duffy

Rockferry, the Welsh singer's lovingly constructed debut album, has already succeeded beyond expectations, and although Duffy may not quite be the ingénue portrayed by a clever press campaign (she nearly won a local television talent show a few years back while a single credited to Aimee Duffy is still available on iTunes) she is surely the most appealing of the current flood of young soul sirens. The astonishing title track, co-written by Bernard Butler, sounded like a lost transmission that had taken decades to get through as soon as it hit radio last year. But the gently rolling soul ballad "Stepping Stone", that strapping, inescapable monster hit "Mercy", the ice cool "Serious" (the one time she really does channel the spirit of Dusty Springfield) and the wistful, elegant "Warwick Avenue" are similarly effective. Suggestions by some that Rockferry is little more than sixties pastiche are churlish. Butler's previous work with David McAlmont (featured here as a backing singer) showed his skill at writing and arranging the dramatic, while her other collaborators such as Steve Booker and the team of Jimmy Hogarth and Eg White are hardly lightweights. But despite some...
60s Revisited, 2008-12-27
Fantastic album really hits the spot,as a "child of the 60s" myself I can identify with this music, buy it,you won't be disappointed.

Artist: The Killers

Success came fast for The Killers, maybe too fast. The impossibly hooky “Mr Brightside” from their debut, coupled with faultless synth anthem “Somebody Told Me”, turned them into the most ubiquitous band in the world overnight and had them batting away Glastonbury headline offers before the Hot Fuss campaign was even over. Sam's Town followed all too quickly, trying to stylistically catch up with their status as stadium rock giants in waiting, but like their debut was really only carried by a couple of strong singles. Which would make this the perfect--or necessary--time to deliver the masterpiece the world expects. By shamelessly cherry-plundering the number 1 acts of the 80s not only have they managed to dramatically shunt the concept of filler from the record, but every track acts like it's performing last on Top Of The Pops circa 1987. Result. From the sparkling Pet Shop Boys obedience of “Human” to the massive Human League via Starship chorus of “Spaceman”, the Paul Simon’s Graceland as done by Talking Heads on “This Is Your Life” to the bang-on Cure desolation of “Goodnight, Tra...
How The Killers Have Grown, 2009-01-04
The first thing I will say about this album is that you have to give it 3 or 4 listens before you can really appreciate how good it is. When I first listened to it I thought I might be disapointed as none of the tracks seemed to stand out to me as they had done instantly on Hot Fuss and Sam's Town.

However after hearing it a few times I can say that this is without a doubt The Killers best album yet - and that is saying something.
What is new in this album is that a lot of the songs are written about the personal lives of members of the band. For example "A Dustland Fairytale" which tells the story of how Brandon Flowers' parent's met and his mother's battle with cancer.

This makes the album very full of emotion which is something that The Killers havn't really done before, and they have pulled it off brilliantly. The Singles "Human" and "Spaceman" are both very good tracks, more in the style of earlier Killers work. But the true beauty of this album is, as I said, in the slower, more emotional tracks. My personal favorite is probably "A Dustland Fairytale". I also really like "The World We Live In" and "I Can't Stay".

If you are a fan of the Killers then no doubt you will already have bought this album. If not then I would strongly recommend it as there is something on here for everyone.

One Final Point: The Track "Goodnight, Travel Well" is truly breathtaking. It was written about the death of Dave Keunig's mother and it really captures the emotions of anyone who has lost a loved one. The Album is worth it just to hear this song. You won't regret getting this Album.

Artist: James Morrison

So he's the acoustic-troubadour-James that isn't James Blunt. He's the other one--the one that looks a little like Chris Martin from a distance and who with those two vague affiliations was surely always pre-destined to sell an awful lot of records, even if he was equally condemned to relative anonymity by turning up too late to claim credit for his own image. And if he failed on debut album Undiscovered to distinguish himself all that much from The Other James, particularly with fluid lighter-waving singles "You Give Me Something" and "Wonderful World", then follow-up album Songs for You, Truths for Me is out to redress that. The underlying soul heritage that served as a reference point on Undiscovered but never really pushed to the fore is much more prominent, seen especially as the album blasts opens with groaning, piano-spanking, brass-heavy, Hammond-tinged "The Only Night", something like The Counting Crows do The Commitments, with unmistakable similarities to Aretha Franklin and George Michael's 1987 blockbuster hit "I Knew You Were Waiting". It's the kind of thing you can imagine him winning a Brit Award with, probably with a collaborative performance to...
A winner!, 2008-12-14
Bought this on the strength of You Make it Real and Broken Strings. Had bought Undiscovered and, aside from a handful of tracks, it didn't really stick with me. But this is a belter. Every track has a great melody that has grabbed me immediately, and his voice sounds great and is so suited to the songs. Have been playing it almost non-stop since I got it and i'll be putting it in a few stockings this christmas!!

Artist: Girls Aloud

The album title, Out of Control, is of course a misnomer-- if there is a more in control, empowered, dominant and disciplined pop tour-de-force out there, then Girls Aloud must still be sassier and brassier and a whole lot noisier, because we're not noticing anyone else. And this is also possibly the most restrained, or at least sleek and refined, collection of songs from the Girls yet. There are a couple of deeply pulsating off-the-peg club floor-fillers in "Turn to Stone" and "The Loving Kind" that embody an out-of-body hedonism, poised retro pastiches like the gliding and punchy "The Promise" and sassy rhythmic "Love Is the Key", then up-tempo 80s-flavoured ballad "Rolling Back the Rivers in Time", direct steamy pop of "Fix Me Up" and brilliantly on the button infectiousness of "Miss You Bow Wow". The fluency is palpable across such a range of subtle twists and turns, their confidence such a given they don't ever need to force the point. This is album number five and although it's impossible to fight the feeling of it being the next tidy package from a well oiled production line it's about as hard not to gawp at the electrifying consistency that sneaks and smashes through...
Im in love! , 2008-12-29
I've always just liked the odd song of these girls and never bought an album until now...am totally in love with it!! every song! If i had to name my 3 faves they would be The Loving Kind, Turn to Stone and Untouchable...all i can say is WOW!!!

Artist: Kings Of Leon

Already on course to be one of the year's biggest sellers, Only By the Night has sealed Kings of Leon's unlikely position as Britain's favourite American rock band. The Followill brothers (and cousin) have always been tagged as part of a southern rock tradition of family bands such as the Allmans and Lynyrd Skynyrd, a label they vehemently refuted. But the skinny lads certainly looked like a classic rock act, even as they took musical inspiration from indie contemporaries The Strokes and eighties new wave acts such as The Cure and New Order. Only By the Night is effectively a sequel to 2006's terrific Because of the Times, their third record and the first where they nailed their own sound, a striking amalgam of bluesy vocals and post-punk primitivism. In comparison Only By the Night consolidates rather than advances their style. The appropriately incoherent "Sex on Fire", already a chart topping single, is catchy but sounds lightweight next to songs like the fierce "Crawl" and the stadia-ready "Cold Desert" and "Manhattan". The dissonant, almost amateurish "17" is most out of place, though Caleb Followill still bawls it with the same passion he brings to...
brilliant, 2009-01-01
ths is a beautiful album- who cares what their previous stuff is like- this is THIS album- i love it - its a beautiful collection of great guitar melodies and words. calebs voice is honey and they music is bliss to go with it.really ace.

Artist: Seal

Soul is a confusing beast. We know Seal has a great voice and can easily imagine him being covering golden oldies with aplomb. Yet this collection of soul favourites is frustratingly patchy. Opener "A Change Is Gonna Come" is impassioned and beautifully-arranged (the album is helmed by David Foster of Celebrity Duets fame, who has made sure it sounds fresh and compelling), and even though it could never compare to Sam Cooke's original, it's ultimately a successful reworking. Seal applies his sandpapery tones to James Brown's "It's a Man's Man's Man's World", Al Green's "Here I Am" and "I'm Still in Love With You", and Ben E King's "Stand By Me"--all of them with decent results. Decent, yet hardly overwhelming. And here's where the confusion kicks in: why cover a bunch of songs that have already been done to death? Christmas being right around the corner is perhaps one good reason in commercial terms. But when you listen to the singer transform less well-trodden territory like Deniece Williams' "Free" or Ann Peeble's "I Can't Stand the Rain", its hard not to feel this play-it-safe option--while undoubtedly a wonderful Xmas gift--is also a lost creative opportunity. ...
Knock Out!, 2009-01-04
I heard some tracks on Steve Wright and then again in HMV a day later. Knock on Wood is just knock out! I Can't Stand The Rain is fantastic, in fact no track is weak they are all brilliant, so buy it guys!!!