Wagner: An Introduction to Der Ring des Nibelungen |
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Artist:
Wiener Philharmoniker,
Georg Solti
Average Customer Rating: 
List Price: £19.99
Our Price: £9.25
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Disc 1:
| 1. 1. Of all great musical compositions (Ex.1-4) | | 2. 2. The fundamental symbol (Ex.5-11) | | 3. 3. Returning now to the Nature Motive (Ex.12-16) | | 4. 4. A number of further motives (Ex.17-21) | | 5. 5. A second, much smaller family (Ex.22-25) | | 6. 6. So much for nature (Ex.26-38) | | 7. 7. The cause of the deterioration (Ex.39-44) | | 8. 8. The other transformation (Ex.45-48) | | 9. 9. Several other motives (Ex.49-52) | | 10. 10. Two further motives (Ex.41,53-61) | | 11. 11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8)(Ex.62/8) | | 12. 12. Along another, more complex line (Ex.69-72) | | 13. 13. In Act 2 of "Walküre" (Ex.69,73-75) | | 14. 14. Returning now to Act 2 of "Walküre (Ex.76-79) | | 15. 15. Love is another of the central symbols (Ex.80-83) | | 16. 16. Later in the same scene (Ex.84-87) | | 17. 17. Freia's motive has 2 independent segments (Ex.88-91 | | 18. 18. The label "Flight" (Ex.92) | | 19. 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8) | | 20. 20. A little later in this interlude (Ex.99-103) |
Disc 2:
| 1. 21. The other new motive (Ex.104-09) | | 2. 22. There are several independent love-motives (Ex.110- | | 3. 23. The characters in whose lives (Ex.115-120) | | 4. 24. One further motive belongs (Ex.121) | | 5. 25. The sword motive recurs (Ex.122-130) | | 6. 26. Ironically, this phrase (Ex.131-5) | | 7. 27. Closely associated with Gutrune's motive (Ex.136-40 | | 8. 28. Here we come to the end (Ex.141-6) | | 9. 29. Complementary to this symbol (Ex.147-9) | | 10. 30. One last central symbol (Ex.150-7) | | 11. 31. One further motive connected (Ex.158-61) | | 12. 32. There are one or two motives (Ex.162-8) | | 13. 33. These motives of Alberich & Mime (Ex.169-71) | | 14. 34. Quite a number of subsidiary motives (Ex.172-6) | | 15. 35. Besides this family of motives (Ex.177-80) | | 16. 36. Our final example (Ex.10,181-2) | | 17. 37. In the final scene of "Götterdämmerung" (Ex.181-3) | | 18. 38. Even more masterly (Ex.184-8) | | 19. 39. Now if we return (Ex.189-91) | | 20. 40. This masterly way (Ex.192-3) |
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Excellent exposition of the motifs and their links, 2001-11-03
This is an illustrated talk about the Ring's musical motifs using illustrations mostly from the Solti DECCA recording, but with some special recordings. I found it fascinating. Although I already had a good basic understanding of the Ring and its structure, I was anazed at the musical relationships _between_ so many of the motifs. Cooke also gives to 'worked examples' of orchestral extracts built from many motifs. The book contains the annotated music for all the 193 musical examples used in the talk.
The perfect complement to the Ring, 2000-09-08
This recording is a lecture demonstration of motivic development in Wagner's great work "The Ring of the Nibelungs." The composer Deryck Cooke presents a number of lectures demonstrating the main motives and their derivatives, tying in the dramatic and psychological associations. This may sound deadly dull, but it is quite entertaining. The excerpts are from the great Decca/Solti/Vienna recording. Special sections were also arranged to better highlight some of the motives by leaving out foreground elements. The format repeats the main motives whenever necessary to remind us what they sound like before playing some distant cousin.I was ready for the project of listening to be quite taxing, but was surprised to find it to be a pleasure. It is a "must have" for any Ring enthusiast.
Excellent accompaniment to The Ring, 2008-05-26
Excellent accompaniment to The Ring
This explanation of the many recurring leitmotifs in Wagner's Der Ring des Nibelungen is more than a mere playing of them (using Decca's own Solti Ring Cycle). Rather, it introduces the main ideas of the Ring Cycle using the motifs and then explains how they are transformed in to other forms so as to provide a musical narrative (Wagner's intention) to the action of the opera. There is something to learn here for everybody, and hearing Deryck Cooke's (an expert musicologist who prepared a performing version of Mahler's unfinished tenth symphony) voice guiding us through this minefield is most reassuring. A light knowledge of the story of the cycle is useful but not essential and one does not need to be conversant in musical terminology to understand what Cooke is on about.
This set would make an excellent present for any Wagner-phile, old or new, and is an excellent introduction even for a novice... do not be put off.
 Must have for Ring Cycle fans, 2007-05-13
I would thoroughly recommend this CD set to anyone who is interested in the Leitmotif development in Wagner's music, and specifically those who really want to get into the bare bones of the composition of the Ring Cycle.
MUCH MORE THAN A LIST OF MOTIVES, 2006-08-16
This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.
It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.
On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.
This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.
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Binding: Audio CD
EAN: 0028944358124
Format: Box set
Label: Decca (UMO)
Manufacturer: Decca (UMO)
Number Of Discs: 2
Publisher: Decca (UMO)
Release Date: 1995-02-07
Running Time: 141
Studio: Decca (UMO) |
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